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and the written can be seen as two integral tools belonging to
the colonial regime. Referring to the "new continent",
Angel Rama in The Lettered City (1996) states that "Writing,
urbanism, and the State have had a special relationship in Latin
America. To impose order on vast empires, the Iberian monarchs
created precocious urban networks, carefully planned with pen
and paper […] New cities housed both the institutions of
state power and the writers who dealt in edicts, memoranda, reports,
and all the official correspondence that held the empire together."
(vii)
As Jacques Derrida puts it in "Signature Event Context",
following Condillac, the written as trace entails a "homogeneous
modification of presence in representation." That is, the
written in the colonial world ensured the continual re-iteration
of the authorities' word.
Drawing
from a performance studies approach Diana Taylor joins the discussion
positing the importance of the performatic (alongside the written)
in pre-conquest indigenous cultures. "Although the Aztecs,
Mayans, and Incas practiced writing before the Conquest [...]
it never replaced the performed utterance.[...] The space of written
culture then, as now, seemed easier to control than embodied culture.
But writing was far more dependent on embodied culture for transmission
than the other way around." (17) Attention to the embodied
helps us to better understand the many ways in which domination
and resistance functioned in the colonial world thorugh key concepts
such as syncretism.
References:
Derrida, Jacques. (1982) "Signature Event Context" in
Margins of Philosophy . Chicago: University of Chicago Press.
Rama, Angel (1996) The Lettered City . Durham; London: Duke University
Press.
Taylor, Diana. (2003) The Archive and the Repertoire. Durham;
London: Duke University Press.