Globalization a

 

Satire/Parody as Political Intervention:


Reverend Billy
NYT Photo/ Fred Askew
http://www.commondreams.org/headlines03/0101-09.htm

Mimicking the postmodern shift of power from nation-states to transnational corporations that occured with the emergence of Empire, political satire as resistance in the free-market, globalized world overhauls its targeted subject from government leaders and operations to corporate products, symbols, and logos. As marketing and advertising fuel the globalization of commerce, the satirization of these tools becomes central to political resistance. "Culture jamming", defined by Naomi Klein in No Logo as "semiotic Robin Hoodism" (230), was the late-twentieth century satirical response to globalization, and includes tactics that combine art, media, parody, and subversion. Following the path of Guy Debord and the Situationists, who used methods such as détournement and dérive to lift an image or message "out of its context to create a new meaning" (Klein 232), culture jammers and other twenty-first century political satirists aim to deconstruct globalized corporate domination through the use of irony, sarcasm, and wit.


Adbusting An Absolut Ad
http://www.subvertise.org

Reverend Billy and the Church of Stop Shopping is a New York City-based street theatre troupe that is an example of how political satire is used to resist globalization. The work of Reverend Billy, also known as Bill Talen, is described on the web site as combining "the forces of social and political change with the means of theater arts to counteract our media culture." Dressed up and performing in the style of a televangelist, Reverend Billy, accompanied by his gospel choir, urges people to resist the temptation of consumerism pushed by such corporate symbols of globalization as Starbucks. The magazine Adbusters, along with other cultural criticism publications, popularized the billboard-reconstruction-subvertisement form of culture jamming. By parodying well-known corporate images and logos, adbusting works to challenge the domination of our public spaces and mental environment by commercial messaging.

Works Cited:
Klein, Naomi. No Logo: Taking Aim at the Brand Bullies. London: HarperCollins. 1999.

 


 

 

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